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Abstract
Aureili is the female protagonist in Life of a Useless Person, a novella written by Eischendoff. In this paper, an analysis was made of the image that the useless person has of Aureili: to him, she is a religious figure that symbolises folk songs. Her eternal roots are planted in his heart, and she can help him discover the true meaning of life.

Keywords: Aureili, religious figure, folk song

Romanticism in German literature originated at the end of the eighteenth century. It was “an important attempt by human beings to resist the constraints that enlightenment reason had imposed on individuality, and to struggle for spiritual freedom.” In addition, “the importance of females or the feminine spirit to German romanticism is probably greater than that for any other movements in the history of German literature.” When the movement first began, its theorists—which included the Schreger brothers, Novalis, and Sleiermach—celebrated and glorified females in a romantic manner, and worshipped them as incarnations of the poetic ideal. They also “believed that females possess a ‘love that creates spirituality,’ which allows them to reveal the feminine aspects or maternal symbols of human history and religious theology.”

Eischendoff was one of the important writers during the late period of German Romanticism. His creations were deeply influenced by the romantic theorists. He also believed that females occupy a predominant position among the Germanic peoples. To him, “their glory shines wonderfully on the knights of the Middle Ages, and this form of power recognises it as having the same supreme position as religion.” In his works, females are the religious figures in the hearts of the poets. No matter where the poets wander to or are at, the females’ eternal roots are planted in their hearts, and the females are constantly by their sides. They will remain so until the poets find the eternal truths of life.

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误译 直接翻译和研究不足 误译和研究不足 直接翻译和研究不足 语言和措辞 美式和英式拼写 误译 语言和措辞 误译 语言和措辞 母语编辑：Uncited quote （未注明引述出处） 误译和研究不足 清晰度和精确度 误译和研究不足 误译和研究不足 美式和英式拼写 语言和措辞 误译 语言和措辞

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Abstract
Aurelia is the female protagonist in Aus dem Leben eines Taugenichts (Memoirs of a Good-for-Nothing), a novella written by Joseph Freiherr von Eichendorff. In this paper, an analysis was conducted of the image that the “good-for-nothing” (the poet) has of Aurelia: to him, she is a holy icon who symbolizes folk songs. She has been eternally rooted in his heart and can help him discover the true meaning of life.

Keywords: Aurelia, holy icon, folk song

Romanticism in German literature originated at the end of the eighteenth century. It was “an important attempt by human beings to resist the constraints that enlightenment had imposed on individuality and to struggle for spiritual freedom.” In addition, “the importance of females or the feminine spirit is probably greater for German Romanticism than for any other movement in the history of German literature.” When the movement first began, its theorists—which included the von Schlegel brothers (August Wilhelm and Karl Wilhelm Friedrich), Novalis (pseudonym of Georg Philipp Friedrich Freiherr von Hardenberg), and Friedrich Daniel Ernst Schleiermacher—celebrated and glorified females in a romantic manner and worshipped them as incarnations of the poetic ideal. They also “believed that females possess a ‘love that creates spirituality,’ which allows them to reveal the feminine aspects or maternal symbols of human history and religious theology.”

Joseph Freiherr von Eichendorff was one of the important writers during the late period of German Romanticism. His creations were deeply influenced by Romantic theorists. He also believed that females occupy a predominant position among the Germanic peoples. To him, “their glory shines wonderfully on the knights of the Middle Ages, and this form of power is recognized as having the same supreme position as religion.” In his works, females are the holy icons in the hearts of poets. Regardless of where the poets wander to or are at, females are eternally rooted in their hearts, are constantly by their sides, and will remain there until the poets find the eternal truths of life.